It's challenge time!
Comment with Just One Thing you've accomplished in the last 24 hours or so. It doesn't have to be a hard thing, or even a thing that you think is particularly awesome. Just a thing that you did.
Feel free to share more than one thing if you're feeling particularly accomplished!
Extra credit: find someone in the comments and give them props for what they achieved!
Nothing is too big, too small, too strange or too cryptic. And in case you'd rather do this in private, anonymous comments are screened. I will only unscreen if you ask me to.
The next time I went to the kiosk, it's where I buy lottery tickets, or as Joe likes to say, our retirement strategy, so I'm there weekly. She had the same kind of shocked and fearful expression, her English was halting but noticeably better than the week before, she served me, I thanked her. She looked at me again, this time with a bit of curiosity.
It's been over a year now of going to the kiosk and buying tickets. Now, it's different, she chats with me when I buy the tickets and she smiles genuinely when the talk gets silly about what we'd each do with the money from a win. I know, when I go there, I can anticipate welcome.
I saw her yesterday, I was going by the kiosk quickly, aiming to meet Joe downstairs. She saw me and waved and smiled broadly. That was the first time I saw how beautiful she was. She was standing tall, confidently, behind the counter, her gaze was direct and her smile was unrestrained. This was a far cry from the shy young woman who I first saw on her first training day.
I'm writing about her and our first encounter because of how I reacted that first day. The stuff that moved inside me when I saw that her first glance at me, even in the midst of the emotional struggles she was having as she struggled to learn to use the register, was one of fear and, of course, judgement. I moved from the empathy I felt for her as I knew what it was like to be overwhelmed when trying to learn something to the antipathy I felt towards her for the invalidating look she gave me. I had thought to myself, "I can get lottery tickets anywhere, I don't need to go here."
But then I decided several things: I shouldn't have to change my patterns because of someone else's reaction to me; she was in emotional stress and this may have effected the lens through which she saw me; if I decided not to shop in places where this happened, I'd never shop. And then finally, I thought, "give her a break" and that's what I did.
She's grown and changed. She sees me as a full person. There is no hint of prejudice or fear or judgement in how we deal with each other.
I've grown and changed. I'm learning that sometimes my reaction to one thing isn't a reaction to one thing, its a reaction built upon that thing happening over and over and over again. I need to be careful to see one person as simply one person - not as a representative of a whole pile of other people in other circumstances who have done the same thing. I know, now, that it's not be job to educate the community, but even so, I do it by being disabled, being fat, being gay and living in the world - it comes with the territory, get over it.
All this to say, it was nice to see her yesterday.
And it was nice to be just seen.
It's a little bit of a challenge getting out to nature -- a camping trip sounds idyllic, but is beyond my capabilities at the moment. But I find it where I can. Early morning in the garden, before it gets hot, is really helpful. I alternate little bits of garden work (as much as my heart can take at a time) with sitting on the porch with the laptop. And photos, of course. This little Canadian climbing rose (Darlow's Enigma) has been blooming pretty continuously for months and months this year. I don't always notice it, because it's blooming fairly high on a pergola at this point, but when I do, it always makes me smile.
Read more of this story at Slashdot.
The deadline for site selection is 24:00 PDT on Monday 10th August 2015, or as best I can tell,
Yesterday evening to the Tate Modern (late opening) to catch the Sonia Delaunay exhibition, which finishes next week, and take in the Agnes Martin one as well.
Not perhaps an entirely ideal combination - after the Delaunay Martin looks a bit washed-out perhaps (limited muted palette, very minute differences, etc), but the other way round Delaunay possibly would look garish?
Though both largely about the abstract, could hardly be more different.
V different personalities too: Delaunay seems to have been at the centre of groups of like-minded creative artists in various fields all her life, ran a business bringing Simultaneist (?sp) design to textiles etc, whereas Martin was a reclusive minimalist who gave up art for significant periods.
This evening to the National to see Everyman with Chiwetel Ejiofor in the eponymous role.
Please note the fake cactus on the table as a statement against fake flowers :p I call it 'the South American rainbow cactus', because of the lovely colours. When I saw it in the shop I thought it was so incredibly ridiculous, that I fell in love with the stupid fake plant instantly and had to have it!
While the diminishing revenues of the major recording labels have been a hot topic for many years, it’s only relatively recently that the debate over artists’ earnings has found itself almost constantly in the news.
A decade-and-a-half of disruptive technology has certainly played its part, but without that turmoil the music industry might still be playing catch up today. At any rate, the rise of online piracy arguably provided a much needed wake-up call and prompted the rise of dozens of legitimate music services.
However, according to IFPI chief executive Frances Moore, some of them aren’t playing by the rules since they fail to properly compensate creators.
“It is true that artists and record producers are not being paid fairly for the use of their music. This is because user upload platforms, such as SoundCloud and YouTube, are taking advantage of exemptions from copyright laws that simply should not apply to them,” Moore said this week.
The problem lies with the nature of these platforms. While services such as Spotify obtain expensive licenses from the record labels for the use of their content, Moore says that sites including YouTube are in effect gaming copyright law when they monetize content uploaded by their users without first obtaining the appropriate licenses.
“Laws that were designed to exempt passive intermediaries from liability in the early days of the internet – so-called ‘safe harbours’ – should never be allowed to exempt active digital music services from having to fairly negotiate licenses with rights holders,” Moore explains.
“There should be clarification of the application of ‘safe harbors’ to make it explicit that services that distribute and monetize music do not benefit from them.”
In order to combat the problem, IFPI says it is determined to work towards a fair licensing environment in which all services offering organized access to music are first required to obtain similar licenses from the labels.
“We want to ensure that services that make our content available, including by curating and monetizing it, are licensed on the same basis,” IFPI informs TorrentFreak.
“Services such as Spotify and Deezer negotiated licenses with right holders on fair market terms prior to their launch. By contrast, user-upload services such as YouTube and SoundCloud did not seek a license at the outset but rather built a business off the back of unlicensed content, relying on the ‘safe harbour’ exemptions to EU copyright law.”
Interestingly, IFPI isn’t stating that user-generated content sites (UGC) such as YouTube and Soundcloud are unlicensed. Instead, the music group says that the terms of those licenses were negotiated under duress, after services got big first and then sought to work with the labels later.
“Although some user-upload services are now licensed by rights holders, those licenses were not negotiated in a fair environment because rights holders’ content was already available on the services on a mass scale and the measures available to prevent this – i.e. notice and take down and Content ID – are easily circumvented and ineffective in preventing all content being available,” IFPI explains.
“As a result rights holders were left with no realistic option but to allow the content and take the license terms on offer.”
In order to level the playing field moving forward, IFPI says it will seek legislative clarification (and presumably change, if necessary) to ensure that “safe harbor” provisions in the EU are restricted to passive intermediaries, thus forcing UGC sites like YouTube to obtain appropriate licenses.
“User upload services that curate and monetize content are not passive intermediaries so should license on fair market terms in the same way that services such as Deezer and Spotify do,” IFPI says.
“There have been conflicting court decisions in different countries in Europe regarding the responsibility of user-uploaded content services. Therefore we are seeking clarification in the EU legislative framework to ensure that services that are active in distributing content are required to take a license from right holders and cannot rely on the ‘safe harbours’,” the music group concludes.
While the labels clearly think they are owed additional revenue from the likes of YouTube and have a duty to level the playing field for licensed services such as Spotify, it’s unlikely that the video giant will sit back while established legal safe harbors are eroded in Europe. Much bigger problems lie ahead if that transpires.
She threw up right on my bed. Poor me!
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